Author’s Note: This blog is a personal space for sharing my own experiences and perspectives on magic. While the broader website is home to educational resources on the Hagstone Tradition, many of the essays and reflections here focus on my individual magical practice, not necessarily the tradition as a whole.

Witchcraft is a deeply personal and diverse path, and my approach may not reflect the beliefs or methods of others. I encourage readers to explore, question, and adapt whatever resonates with them. Nothing shared here is intended as absolute truth or professional advice. Trust your intuition, do your own research, and walk the path that is right for you.

All content on this blog is the intellectual property of Anoka Solveig and may not be shared, reproduced, or redistributed in any form, on any platform, without explicit written permission. This includesβ€”but is not limited toβ€”copying, reposting, translating, or distributing excerpts. If you'd like to reference or discuss this content, please link directly to the original post.

Academic Witchcraft, Folkloric Witchcraft, Personal Reflections 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ Academic Witchcraft, Folkloric Witchcraft, Personal Reflections 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ

Beyond the β€œNew Age” Section: Why I Study Outside of the Magical Box

If we only ever read what is written for us, by our contemporaries, we risk living in an echo chamber. To build a magical practice that is resilient, dynamic, and informed, we must venture into history, folklore, language, and literature β€” connecting with the deeper roots of the traditions we honor.

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Living Witchcraft, Personal Reflections, Seasons & Tides 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ Living Witchcraft, Personal Reflections, Seasons & Tides 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ

Tending my Altars with the Moon

An altar is only alive when it’s tended. Left to gather dust, it becomes a hollow space β€” a place of resentment rather than reverence. My lunar routine isn’t about worshiping the moon, but about keeping time: a rhythm of tending, charging, stripping, and cleansing that keeps my practice β€” and my spirits β€” fed.

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Reconstructed Witchcraft, Personal Reflections, Language & Magic 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ Reconstructed Witchcraft, Personal Reflections, Language & Magic 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ

Decoding my Magic: Why Relying on Translations Wasn’t Enough for My Witchcraft

When I set out to reconstruct my family’s magical tradition, I quickly realised that English-language resources were scarceβ€”and often unreliable. Translations carried biases, academic sources simplified complex traditions, and folklore lost its richness when stripped of its original linguistic and cultural context. Learning the languages of my practice wasn’t just about expanding my research; it became essential to preserving the integrity of my craft. By engaging with primary sources directly, I uncovered layers of meaning, symbolism, and nuance that would have otherwise been lost. In doing so, I not only deepened my connection to my ancestors and their magic but also ensured that my practice was built on authenticity rather than assumption.

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Herbs & Plants, Sustainable Magic, Reconstructed Witchcraft, Rewilding Witchcraft, Personal Reflections, Living Witchcraft 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ Herbs & Plants, Sustainable Magic, Reconstructed Witchcraft, Rewilding Witchcraft, Personal Reflections, Living Witchcraft 𝕬𝖓𝖔𝖐𝖆 π•Ύπ–”π–‘π–›π–Šπ–Žπ–Œ

Rooted in Tradition: Finding Authentic Herbal Substitutes in Folk Magic

Finding the right herbal substitute isn’t just about matching magical propertiesβ€”it’s about understanding the deeper symbolism, historical context, and method of use. A true replacement must honor the spirit of the original herb, not just its function in a spell. By weaving together folklore, historical research, and lived experience, I strive to ensure that every plant I work with is not only meaningful but also rooted in both tradition and my personal craft.

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